Popcorn brand Popcorn, Indiana has been working on their Popinator Project, a voice-activated machine that listens for the command ‘pop’ to aim and launch popcorn directly into your mouth. While it’s not currently not for sale, you can see the prototype in action in this video.
Popcorn brand Popcorn, Indiana has been working on their Popinator Project, a voice-activated machine that listens for the command ‘pop’ to aim and launch popcorn directly into your mouth. While it’s not currently not for sale, you can see the prototype in action in this video.
Author William Gibson poses for a portrait at the Last Bookstore in Los Angeles. Photo: Jason Redmond/Wired
One of science fiction’s most visionary and distinctive voices, William Gibson maintains that he and his fellow writers don’t possess some mystical ability to peer into the future.
“We’re almost always wrong,” said Gibson in a phone interview with Wired. Gibson coined the term cyberspace in his 1982 short story “Burning Chrome” and expanded on the concept in his 1984 debut novel, Neuromancer.
Part 2: William Gibson on the Temptation of Twitter, Antique Watches (Coming Friday)
Part 3: William Gibson on Punk Rock, Memes and ‘Gangnam Style’ (Coming Saturday)
In that book, which quickly became a classic, inspiring pop culture and science fiction for decades to come, Gibson predicted that the “consensual hallucination” of cyberspace would be “experienced daily by billions of legitimate operators, in every nation” in a global network of “unthinkable complexity.”
Yet Gibson says he simply got lucky with his prescient depiction of a digital world. “The thing that Neuromancer predicts as being actually like the internet isn’t actually like the internet at all!” said the writer, who has since penned numerous critically acclaimed novels, including Count Zero (1986), Mona Lisa Overdrive (1988), The Difference Engine (co-authored with Bruce Sterling, 1990), Pattern Recognition (2003) and Zero History (2010).
Gibson’s most recent book, a collection of nonfiction called Distrust That Particular Flavor, was published this year; he is currently working on a new novel, tentatively titled The Peripheral.
In this Wired interview, which will be published over the next three days, Gibson discusses a dizzying range of subjects, including antique watches, comic books, punk rock, fortune tellers, internet memes and the long-running plans for a Neuromancer movie. Wired: Do you think the category “science fiction” is useful anymore? Your last few books, like the Blue Ant trilogy, qualify as science fiction, but they’re set in a feasible approximation of present-day reality.
Facebook forced The New Yorker to remove a cartoon depicting Adam and Eve in the Garden because the cartoonist drew in two dots representing Eve's nipples, which is a Facebook no-no.
News broke today that Bravo was headed into scripted television territory, and that's the positive news. (Holding out on calling it "good news" until I see the actual shows.) But then there was this: a reboot of the movie Heathers. As you can imagine, the blogosphere (at least the writers who are Heathers fans) was not thrilled about this news. But fortunately, the movie itself has provided a whole slew of reactions for us! Let's take a look at a bunch of quotes from the movie that can now be reissued as pre-reviews of this very dumb reboot idea. The best part is that we don't even need context from the plot!
Tracy King sends us an "animated history of genetics from Nature to celebrate the release of ENCODE. Narrated by Tim Minchin and animated by the team who made Storm. Written by Adam Rutherford (Nature), Andrew Ellard (Red Dwarf, IT Crowd) and Tracy King (TAM London).
In a zombie apocalypse — as everyone knows — the undead eat brains (or other body parts, depending on which mythology you subscribe to). On a film set, however, zombies basically eat Jell-O. Recipes vary, of course, but in Resident Evil: Retribution, out Friday, the walking dead chew on a version fortified with glycerin and sorbitol, compounds often used to make soft-gel pills. Added to gelatin, the combo turns the faux flesh into something solid enough for actors to really sink their rotting bicuspids into. “The stuff is great, because if it accidentally gets ingested, it’s essentially food,” says Paul Jones, a prosthetic makeup designer who created more than 800 zombies for the new movie. “You can actually bite into it and see it tear.” More occipital lobe, anyone?
Recipe: DIY Faux Flesh*
Ingredients:
200 grams glycerin
200 grams sorbitol
100 grams gelatin powder (recommended: 300 bloom)
2.5 grams zinc oxide
Colored face powder
Red and green colored frocking
Water as needed
1. Mix the glycerin and sorbitol together in a large bowl, then add the gelatin powder and zinc oxide. Microwave in 2-minute intervals, stirring until the powder melts into the liquid. (To make skin that can tear more easily, as in a bite wound, replace the sorbitol with water.) 2. Once melted, add desired colored frocking or small amounts of face powder or food coloring, until desired hue is achieved. 3. Pour into food grade silicone mold. (These can be made at home using a kit or purchased from a specialty catalog.) 4. Cool in refrigerator until the mixture sets. Small body parts, such as hands or arms, will cool within a couple of hours. Larger body parts will take longer. Yield: 1 serving of brains, flesh, or viscera
The Soylent Corporation processed human flesh into wafers. The psychos in The Texas Chain Saw Massacre turned their victims into sausage. But people provide the mystery meat in more than just sci-fi and horror movies. They've also been unwittingly consumed in adaptations of Broadway musicals and feel-good tales of female empowerment. How do all the meals compare? Warning: stomach-churning spoilers ahead
Earlier this week, Boston Dynamics demonstrated the capabilities of the Legged Squad Support System (LS3), a semi-autonomous four legged robot designed to serve as a pack mule for US troops (video). The robot can navigate difficult terrain, follow a human leader, and right itself if it falls over. It will eventually have a range of 20 miles, a top speed of 7 MPH, and a cargo capicity of 400 pounds. The robot has another two years of testing and refinement ahead of it before it is deployed in an operational exercise with US Marines. The LS3 project is funded by DARPA and the US Marine Corps.
The other day, a reader asked why I call climate change "climate change", instead of "global warming". The short answer is that, from my perspective, climate change does a much better job of giving people an accurate mental picture of what is going on. Global warming sounds like the world is just going to get hotter, and while that's technically true on a global-average-temperature-basis, it doesn't really reflect what's happening locally
When NASA's Sunita Williams and Japanese astronaut Akihiko Hoshide couldn't seem to get a bolt attached to the outside of the space station, ground crews came up with a clever solution: Fix the problem with a toothbrush. At Space.com, Denise Chow explains the details:
On Aug. 30, Williams and Hoshide completed a marathon spacewalk that lasted more than 8 hours, but the astronauts were thwarted by a stubborn bolt and were unable to finish connecting the so-called main bus switching unit (MBSU). The stuck bolt forced NASA to add [yesterday's] extra spacewalk.
But, following last week's unsuccessful attempt, flight controllers, engineers and veteran spacewalkers worked around the clock at NASA's Johnson Space Center in Houston to devise a solution to the problem. Using only the supplies available on the space station, the teams came up with creative new tools for Williams and Hoshide to use to install the MBSU.
One was a modified toothbrush that was used to lubricate the inside of the bolt's housing after debris and metal shavings from inside had been removed. Another improvised instrument included a cleaning tool that had been made from wires that were bent back to form a brush, explained Kieth Johnson, lead spacewalk director at the Johnson Space Center
Artist Kevin Champeny creates astounding large format artworks that are part mosaic and part sculpture. The finished works look like sculptures or mosaics, but a closer look reveals they are made of hundreds or thousands of tiny objects, often individually cast by the artist. “Flag,” for instance, is an American flag made up of 44,450 urethane army men cast in red, white, and blue. “What Remains” is a five foot wide skull mosaic made up of more than 35,000 tiny flowers. According to Champeny, each work takes several months to complete.
Be sure to play Edgy Comic Bingo, by Cathy Leamy, who creates comics herself and knows a thing or two about getting linked to. Click through for the full NSFW card
The Rise and Fall of The Clash is an upcoming documentary about the influential and short-lived British punk rock band, The Clash (trailer). The film includes previously unseen footage as well as interviews with band members and associates. It is directed by Danny Garcia.
On the Propadeucist, "objects that are guns - and are also other weapons," including a gun that is also several other guns.
Be sure to play Edgy Comic Bingo, by Cathy Leamy, who creates comics herself and knows a thing or two about getting linked to. Click through for the full NSFW card
